25 August 2008
Thoroughly unconsequential ruminations
Today, however, was quite miserable. The weather, I mean. It has rained steadily, sometimes pouring, all day. Classes were pleasantly introductive (new word), but the walks in between have been horribly wet, which makes the air-conditioned indoors shiver-inducing. I think I'll invest in a pair of rubber boots, probably some giant ugly ones, like knee-high army green ones, because everybody (at least the girls, which is the vast majority) has cutsey polka-dotted ones, and it is my natural reflex to try not to fit in with the Stepford appearance.
I was quite a bit disappointed that we ended up in the "crappy" upperclassman residence hall, but in reality it's infinitely better than the freshman dorms, and living with my 3 favorite people at school has already been a ball. My roomie and I have similar tastes, and after a few shopping trips (in the rain) and much rearranging, our room has a cozy, world-traveler vibe, with enough floor space for a crazy dance party. We have a couch and a sink, two bookshelves, a coffeemaker and an electric kettle, dramatic dark red window curtains, and a bathroom shared with our suitemates. In our search for the perfect rug and the perfect closet curtains, I took Roomie on her first trip to World Market, which is the most beautiful store in the world, and the one I'd decorate my entire house from if possible. If I had a house.
Enough about our incredible room. Which is also on the first floor but not the ground floor, which means no stairs and no laundry room noise. I am super excited about going to Bible study for the first time since Spring tonight. I'm also looking forward to my three classes tomorrow, which will make for a long but hopefully fascinating and educating Tuesday-Thursday schedule.
Quote of the Day: "No opera plot can be sensible, for people do not sing when they are feeling sensible."
- W. H. Auden
Accomplishment of the Day: making coffee
Song of the Day: Samson by Regina Spektor
Book of the Week: Ender's Game
12 August 2008
Houston, we have a problem
I love the movie Bruce Almighty. It brilliantly illustrates what I'm talking about. Bruce is such a whiner. He feels like God has slighted him. He curses God, in a Jim Carrey way, for not giving him what he wants. So God (Morgan Freeman!) lets Bruce be God for a while - except he's still Bruce. Gaffes and laughs ensue as he plays magic tricks with his powers and gets revenge on all those he feels have wronged him. He gets what he wants, a job as an anchorman. But he loses what he had, the good things he took for granted. Bruce is just a guy, and he makes a mess of his life when he tries to be God. God (Morgan Freeman) has one of my favorite movie lines, one of my favorite truths, "Since when does anybody know what they want?"
Being a Christian is not easy. It's tough to trust in God and swallow your hissy fit when things don't go your way - and trust me, things won't always go your way, even with the Almighty on your side. Osteen didn't quite get it right. Maybe he thought he was saying what people wanted to hear. That doesn't mean it's what people need to hear.
"Therefore we do not lose heart. Though outwardly we are wasting away, yet inwardly we are being renewed day by day. For our light and momentary troubles are achieving for us an eternal glory that far outweighs them all. So we fix our eyes not on what is seen, but on what is unseen. For what is seen is temporary, but what is unseen is eternal."
2 Corinthians 4:16-18
07 August 2008
Oh, I don't watch TV, you brainless moron
Why is it that we think people who don't watch TV are so disciplined and austere, while people who don't read (don't, not can't) are foolish and/or dumb and/or have no idea what they're missing out on? Frankly, I liken not watching TV to not going to the theater. After all, that's what TV is, isn't it? Theater in your living room? With lots of little tiny bathroom breaks rather than one or two long ones. I've always considered Shakespearean comedies as predecessors to the modern sitcom. Granted, there is a hell of a lot of crappy, lame, disgusting TV out there. Fake wrestling, any reality show, MTV, Reno 911, etc, you get the point. But what about the gripping dramas? The witty comedies? The Discovery Channel and the Food Network? Yeah, there's nothing beneficial about sitting around watching brainless sitcoms all day. But I see nothing wrong with enjoying really good TV, when the writers and the actors work together beautifully to bring to life a compelling story. TV can even make you smarter, or at least more knowledgeable, in the case of many shows on Discovery, the History Channel, the Travel Channel, maybe even CSI!
I guess I'm urging you, whether via tube, plasma screen, or free online TV, not to ditch television for the lofty feeling that comes with declaring you abstain from it. That lofty feeling will soon fade when you can't discuss the latest episode of House with the kids on the playground, or think that dropping a penny off the Empire State Building could kill someone because you've never seen Mythbusters, and everyone in the room realizes that you've got a bad case of don't know what you're missing and/or stick up the rear.
06 August 2008
15 July 2008
Hector the Vector
The Lay of Pre-Calculus
By Corinne Dyer
© 2006
Hector the Vector was walking one day
In the
A jester he was, in the court of Pythagoras
Whose son, called Arccos, in peril great was
For Arccos the brave and courageous prince
Had gone on a quest and been captured since;
‘Twas the troll called Orthogonal who did this cruel deed
Now a friendly deliverer Arccos did need
Arccos had gone to rescue a maiden
Who with great troubles was heavily laden
Princess Cartesian was the prisoner of Scalar,
An evil math teacher who said he would fail her.
Hector marched in reduced row-echelon form
Rather than row-echelon more commonly worn
But not even a determinant could help him that day
If nefarious Orthogonal he was to make pay.
When he reached the troll’s lair under the Bridge of the Sine
A way to Arccos he just couldn’t find
He cried to the oblique, acute, and obtuse
“Hey, a little help here could I use!”
A shower of radians burst from the sky
And a lady descended as if from on high
Her raiment was golden, her marker dry-erase
Of evil in her there was not a trace
“Behold,” she said, “it is I and no other,
Please have no fear, I am your Fairy Mathmother.”
Her marker she waved and caused great permutations
That shook the rocks in the lair’s foundations
Coefficients collapsed, opened dungeons dark
Hector was so happy he could factor like a lark
For he found Arccos, whom he instantly freed
So that he could complete his most noble deed.
The Fairy Mathmother bestowed on the prince
An integer of gifts of arithmetic sequence
“Arccos,” she said, “These gifts you must use
To rescue Cartestian and Scalar’s power reduce,”
A poison she gave him, from the extract of square root
And a bow from which cofactors would shoot.
To the
And Arccos into the fortress they sent.
He wet a cofactor with poison and killed
Nefarious Scalar, a villain skilled
He rescued the princess, his Cartesian sweet;
Outside the castle the two did greet
With Hector the Vector who stood there alone
“My lovely Fairy Mathmother has gone,”
He said with a sigh but with joy in his heart
For Arccos and Cartesian never would part
And Hector the Vector, a component man
Loved happy endings, parallelogram.
08 July 2008
07 July 2008
What action flicks and Ayn Rand have in common
I saw Wanted on Sunday. It was the ultimate guy flick. Explosions, guns, cars, blood, and Angelina Jolie. Reality was definitely suspended, with a literal Loom of Fate and a clan of almost superhuman assassins acting surreptitiously in the gritty world of what I would assume to be Chicago. There were “cool” moments that were completely laughable and most of the movie was an attack on the senses. Oh, and I forgot to mention the F-word, which made up half the dialogue. And yet…should I even admit it?...I think I liked it. I think I know why I liked it, which turns out to be a relief, because otherwise I have the taste in movies of a fifteen-year-old boy. The plot twist was almost surprising, which was nice. But that’s not the real reason I don’t feel my six bucks were wasted. You see, as shallow and sensory-catering as Wanted seems (and somewhat is), it actually relates to Atlas Shrugged, my current obsession and albatross. Let’s take our little hero, cowardly, nervous, miserable Wesley Gibson (played by James McAvoy, minus the lovely Scottish accent. The accent would have made him at least a little cool. Removing it was a good idea.). He’s a nothing, and he knows it. He’s an accountant who suffers from acute anxiety attacks, apologizes too much, and lets everybody and their mom walk all over him. He hates his life – although not quite as much as he thinks, as he screams “I kind of care about my life” while Jolie’s character is dragging him through a car-chase shootout near the beginning of the movie. To be brief, he learns he is the son of a fabulous assassin and has the very same skills as his father. I.e., he is destined to be a great assassin. I.e. “the blood of a killer runs in your veins,” wooooOOooo (direct quote from the movie, if I remember correctly, wooos added at my discretion). “The Fraternity” (how creative), the group of assassins his father belonged to, trains him. And at first he’s still weak, sniveling little Wesley, but by the end of the movie, after a lot of blood and guns and treachery, Wesley fuflills his destiny as one of the best darn killers out there. He knows he can never go back to being an accountant, because that life is a failure to live up to his potential, and is an insult to his ability. We don’t know what Wesley does after the end of the movie (I really do wonder, and I’d kind of like to know), but at the end of the movie he takes complete control of his life and his abilities. Nobody is telling him what to do, he does what he does best, and because of this, you can tell by the smug look on his face that he’s happy with that. So what does this have to do with Atlas Shrugged?
Atlas Shrugged, Part III, Chapter VII
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live – that productive work is the process by which man’s consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one’s purpose, of translating an idea into physical form, of remaking the earth in the image of one’s values – that all work is creative work if done by a thinking mind, and no work is creative work if done by a blank who repeats in uncritical stupor a routine he has learned from others – that your work is yours to choose, and the choice is as wide as your mind, that nothing is more possible to you and nothing less is human – that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind’s full capacity is to cut your motor and sentence yourself to another kind of motion: decay – that your work is the process of achieving your values, and to lose your ambitions for values is to lose your ambition to live – that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road…the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap…your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you…as a man must produce the physical values he needs to sustain his life, so he must acquire the values of character that make his life worth sustaining – that as man is a being of self-made wealth, so he is a being of self-made soul – that to live requires a sense of self-value, but man…has no automatic sense of self-esteem and must earn it by shaping his soul in the image of his moral ideal, in the image of Man.
I know. AS is hard as crap. The whole book is like that – and I even cut parts out of that passage to make it simpler and bolded the most relevant parts. But it is so, so good, and it’s almost as if the makers of Wanted read Ayn Rand when they were making the movie (I dunno, maybe they did!). Wesley, at the beginning, is not fulfilling his abilities. He’s stuck in a cubicle, filling out billing reports for his overbearing, bitchy boss. He’s miserable, he’s wasting away. “To settle down into a job that requires less than your mind’s full capacity is to cut your motor and sentence yourself to another kind of motion: decay – that your work is the process of achieving your values, and to lose your ambitions for values is to lose your ambition to live” But the Fraternity teaches him that he has the ability to be so much more, and (as Ayn said) not to embrace and fulfill one’s abilities is a pathetic waste. Wesley learns how much better life is, and how much happier he is with himself and the world, when he embraces his abilities. However, it goes beyond that. Wesley’s ambitions should be his, and not the Fraternity’s; when they are not his ambitions, when he uses his talents at the whim of others and not for his own goals, heartbreak ensues (you’ll have to watch it to find out). Wesley at the end of the movie is confident, self-assured, and purposeful in his actions. He’s Wesley Succeeding In His Abilities, Wesley Serving His Purpose, Wesley Satisfied With Himself.
This is probably the longest and most overly philosophical movie review ever. Is it necessary? Not really. Can you enjoy Wanted without considering its philosophical commentary on life? Yeah, if you like blood and guts and bangs, and Angelina Jolie’s heinie.
I particularly loved the last line, though the overuse of the f-word throughout the movie diminished the kinetic ability of this line to be completely awesome. Summing up the whole theme of destiny-fulfilling, daring to escape the senseless drudge of a purposeless life, and becoming completely badass at whatever it is you’re meant to be best at, Wesley looks straight at the camera and says,
“What the F*** have you done lately?”
July 01, 2008
Where do we draw the line, indeed? We can't help everyone. We're also too invested in this global community to retreat to our old ways of isolationism. Why the M.E. and not Africa? Maybe it's the oil - not to say that the Irag War is a war of oil acquisition, b/c if it was I doubt we'd be paying so much for gas. But we are certainly more reliant on the stability of the fuel-rich M.E. than on the stability of far-off, impoverished, even backwoods, Africa. Perhaps we should bring our roots back to our own country before we try to start fixing the problems of others. Yet, becoming energy independent - whether through drilling on our own soil or developing alternate fuels, or both - is not going to fix the world. It's just going to give us a better foundation where we are. So then who do we choose to help? Should we even help at all? Do we have a military for our own protection, or are our military the police who enforce justice and human rights where there nobody else will? Did our soldiers sign up to protect America, or to protect humanity?